TridA-Pre v188.8.131.528 macOS-CASHMERE
AU/VST/VST3/AAX | 19 November 2019 | 245 MB
For decades, the concept of pop music was synonymous with Trident Studios, the pioneering facility in the heart of London’s Soho district.
Their client list reads like a who’s who of pop: The Beatles, Elton John, David Bowie, the Bee Gees, Genesis, Frank Zappa, Joe Cocker, Kiss, Lou Reed, Peter Gabriel, Marc Almond, Soft Cell, Queen, the Rolling Stones, Thin Lizzy, Tina Turner, T-Rex, and Yes.
At the heart of the studio’s sound was the Trident A Range console. It became so well known for its gorgeous, musical EQ and the full, rich tone it imparted soon, studios around the world were placing orders for an A Range of their own. Although only 13 were ever made, they created a legacy that continues to this day.
Now, thanks to Arturia’s groundbreaking True Analog Emulation® technology, you too can experience the incredible sound-shaping power of the legendary Trident A Range preamp and EQ.
The best of both worlds
Hold on… my audio interface already has preamps. Why do I need a preamp plugin?
You’re right! Your audio interface uses its preamps to boost incoming signals to usable levels for recording and mixing.
In the digital age, the preamps included on audio interfaces tend to be highly transparent, amplifying the signal without adding “color”, a sort of tonal flavor that subtly changes the sound.
In the 60s and 70s, a period many consider to be the “golden age” of the recording studio, the preamps within their bespoke mixing consoles – like the Trident A range – were pioneering technology. Mix engineers found that, due to their analog components, the preamps would add a certain character to the audio, which gave each desk, and consequently each studio, a particular “sound”. As engineers became experts with these consoles, they would use the preamps as part of their creative process; pushing them hard to create harmonically rich analog distortion, for example.
Now, thanks to the digital audio revolution and the power of modern computers, you can enjoy the best of both worlds. The Arturia TridA-Pre lets you add the iconic tone of the elite, rare, virtually unobtainable preamps found in the studios that created some of the biggest hits of all time.
Adding that “je ne sais quoi”
It’s difficult to let new producers and mix engineers know just how important the subtle sound-shaping power of preamps are, we’re talking about something understated. It’s not a flashy synth or an extreme audio-mangling plug-in.
At their core, all of our preamp plugins provide 2 main benefits:
A link to the past
There’s something quite magical about hearing classic songs. If you let your mind drift, you’re transported to a totally different time: different fashion, different politics, different tastes, different lives. If you want to evoke the feeling of the 70s or 80s, when the Trident A Range console was used on practically every chart hit, TridA-Pre makes it easy. Added to individual tracks in your song, you can add that toasty, harmonic, saturated sound that typified the era.
Load up TridA-Pre as an “insert” effect on channel, dial in an appropriate preset, and most of the hard work has been taken care of. You’ll now be mixing with the sound of a classic analog console, with the parameters set up by a top sound designer. Now you’re free to get creative, safe in the knowledge that you have half a century of legendary pro audio heritage supporting you.
The ultimate sound-shaper
TridA-Pre gives you all the power and features of the fabled Trident A Range, and more! Let’s take a look at how this elite channel strip translates as a plugin.
4 band, twin-channel equalizer
The fantastically musical A Range EQ has been recreated in all its glory. The high, high-mid, low-mid, and low EQ bands have 4 switchable frequencies, calibrated to match the original unit’s specification. These can be cut or boosted by 15dB independently on the left and right channels, or linked together. This gives you great freedom to shape your sound in a stereo space.
Low Pass Filter
Notch out the high end at 9kHz, 12kHz, 15kHz, or hit 2 or 3 switches to make more dramatic chance, this will soften the high frequencies of your signal.
From super-subtle overtones to growling solid-state drive, the Input Gain knob can be pushed to add whatever tonal flavor you desire.
High Pass Filter
Carve out the super-low frequencies from your signal, with cuts placed at 25Hz, 50Hz, and 100Hz. Like the Low Pass, you can also combine 2 or 3 switches for a stronger effect.
Missing on the original A Range, TridA-Pre lets you use advanced mid/side techniques without external processing or convertors, meaning your audio will sound amazing in both mono and stereo.
Simple, but always useful. The output trim lets you adjust the “master volume” of the output without changing its tone.
Release Notes – 184.108.40.2068
Control knob with mouse scroll
Added maximize height button
Minor browser improvements
Bugfixes FX Collection:
No more crash on old CPUs
No more crash when removing the plugin from a track in FL Studio 20 on macOs
Favorites are now recalled correctly
Cubase bypass function now works properly
Faders and encoders now stop moving after your release them in Reason
No more delay when moving a linked parameter
VU meter calibration is now properly recalled in DAWs
No more issue when automating toggle parameters in AAX
Simpler crack = faster loading time compared to Hexwars release
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