19 May 2018 | 439 MB
Microrgan is a vintage 49-key electric reed organ built in the 1950s by the Italian electronics company Farfisa. Rare and highly sought-after, the origins of this classic instrument are shrouded in mystery and our particular keyboard has seen more than its fair share of wear and tear over the years, although it still sounds good as new thanks to its rugged mechanics and simple design. We’ve captured it’s warm, humble and yet full-bodied tone with infinite sustains and tight staccatos. But to take this far beyond an ordinary reed organ sample library, we’ve also created 20 awesome sound-designed custom synth and special effect presets and 40 unique sound-designed ambiences that can be played chromatically as atmospheric synths, dronescapes and pads or used directly in your DAW for underscoring and texture.
But fret not! We’ve captured it’s old-school fat, buttery tone, with infinite sustains and tight staccatos. To take this far beyond an ordinary analog chord organ sample library, we’ve also created 20 awesome sound-designed custom chord organ and effects presets and 40 unique sound-designed ambiences that can be played chromatically as atmospheric synths, dronescapes and pads or used directly in your DAW for underscoring and texture.
We’ve packed the GUI with lots of great sound-shaping controls that give you the flexibility to warp the shape in many ways. You have control over Volume, Attack, Release, Transient Offset, Vibrato and Octave layering. The “Glide” control slider allows you to play legato and portamento leads. You’ll also find an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 13 lowpass, high-pass and FX filter, with assignable modulation control options, including velocity, modwheel, expression, after-touch, key position and step-sequencer table control. You can also use our customizable arpeggiator, with a built-in velocity sequencer table and control over arp direction, note timing, swing, randomization and duration.
The library is programmed for the full version of Kontakt 5.5.2 and later (OSX 10.9 or later / Windows 7 or later required). It comes equipped with a custom user interface and dynamic sound shaping and mixing controls: volume, attack, release, offset, vibrato, octave, bank preset loading (with optional key-switching), adaptive arpeggiation, advanced LFO and filter systems and our full FX rack with convolution reverb with your choice of well over 100 different rooms, halls, spaces and special FX impulses.
Microrgan was recorded by John Valasis. John is a Greek-born composer, producer and sound designer. From his Athens based studio, he delivers scoring, foley and sound design services for a great number of local and international clients. John’s clientele includes prestigious brands such as Native Instruments, Ableton, Soundiron, Virgin, Amazon Prime Video, Vice Magazine and the BBC. As of 2014, John belongs to the roster of Ninja Tune’s publishing house Just Isn’t Music, alongside artists like Amon Tobin, Bonobo, Flying Lotus and The Cinematic Orchestra.
John’s professional experience began in the 90s, emerging in his late teens as a composer and producer for popular music and gradually expanding his skill-set across a large variety of genres. With the abilities he acquired through his 20-year professional career, as well as his genuine love for soulful music, he has managed to craft a strong, musical identity which sound both personal and diverse. When not working on tight deadlines, John uses Poordream as a vehicle to freely express his emotions and inﬂuences without defining limits and by exploring sound and composition beyond the boundaries of conventional electronic music.
Microrgan was recorded in a dry studio using a pair of Neumann TLM 103 large diaphragm microphones. We recorded its stock presets with sustains and staccato samples for each key. The included octave, vibrato and FX rack give you an easy-to-use interface to completely customize and shape its fat analog sound to fit a variety of creative styles.
The library comes equipped with flexible control features, like Swell, pitch Glide, Attack, Release, Vibrato, and Octave. There’s also a complete DSP effects rack, including convolution reverb with dozens of unique spaces, such as cathedrals, churches, halls, bunkers, garages, tunnels, chambers, rooms and plenty of otherworldly FX impulses to fully explore and endless variety of strange and unexpected sonic manipulations.
•2 Main Instrument Presets with advanced performance controls, vibrato, glide speed, LFO, Filter, Arp and full FX rack.
•20 Custom Sound-Designed FX and Ambient presets.
•Sustains, Staccatos, Chord Sustains, Chord Staccatos and Acoustic effects samples.
•Glide control for legato speed.
•Standard monophonic functionality or polyphonic when Glide is set to 0.
•Octave feature which gradually adds a lower and higher octave.
•Convolution Reverb with 119 different cathedrals, churches, chambers, rooms, halls and special effect impulses.
•A full multi-effects rack, with EQ, filter, phaser, flanger, delay, distortion, amp & speaker simulation and more.
•652 MB Installed
•22 Kontakt 5.5.2 .nki preset banks
•24 bit / 48kHz Stereo uncompressed PCM wav audio
•Unlocked wav samples can be directly imported into almost any wav-compatible plugin or DAW.
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