Oxford Limiter PowerCore VST v1 1 1 AiR

VST v1 1 1 | 6.55 MB
Team AiR 09/2007

The Oxford Inflator is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The Oxford Inflator process can also bring power, presence, and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. Add the Oxford Inflator to your plug-in arsenal and see what you’ve been missing!

Sonnox Oxford Inflator Native at a Glance:

Maximum loudness
Multi-purpose tool

Maximum loudness

No matter how limited, compressed and crushed your program may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Oxford Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.

Multi-purpose tool

Use the Oxford Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.

Sonnox Oxford Inflator Native Features:

RTAS, AU, and VST operation
Increases the loudness of almost any program material.
Creates warmth, character and dynamic excitement, similar to that of analog systems.
Provides virtual headroom above digital maximum to allow percussive peaks to pass without causing signal overload.
Creates artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and ‘in your face’ fatness, to outright saturation distortion modelling.
Features two modes of operation – direct and band split – for maximum flexibility and artistic creativity. These two modes also ensure optimal DSP usage.

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